The Herb and Dorothy Vogel 50 x 50 Collection at MOCA

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MOCA hosted a brief viewing of the Herb and Dorothy Vogel 50 x50 collection on Grand Avenue last week and on Friday I had the pleasure of checking it out

After falling in love with the Vogels in their documentary chronicling how a retired postal worker and librarian amassed an incredibly comprehensive collection of Minimal and Conceptual art spanning decades in New York City, I really couldn’t wait to catch a glimpse of the 50 works up close.
"Little Pinch", Lynda Benglis
“Little Pinch”, Lynda Benglis
The bulk of their collection is housed at the National Gallery of Art in Washington D.C.  The 50 x 50 Collection was set up to allow the Vogels to donate 50 pieces of art to each of the 50 states and there is a second documentary in the works that delves into this process.
After seeing the collection on Friday I had so many questions about how they chose their art that I decided to see the original documentary again.  I was particularly struck by their relationships with artists like Richard Tuttle.   In watching  their interaction with him and others it is clear that the Vogels thought like artists and sought to fully immerse themselves into understanding their process; as such their motivations were beyond monetary value and investment.  I think this is what endeared the couple to many in the art world.  They understood the evolution of an artist’s style and how their works connected to one another in a way that curators spend years trying to understand.
"Stiletto", Steve Keister
The Vogels never had children, and as I watched their dedication and commitment to artists and the community, I started to understand how they not only managed to collect over 4,000 pieces of art in their tiny one bedroom apartment, but also how they chose to pledge their valuable collection to the National Museum vs opting to sell it.  They truly had a love of their collection by cultivating it and watching it grow over the decades, almost as if it were a child.  The collection gave back so much more to them via relationships with artists and the NY art community, that when it came time to let the collection go, they were ready to let it leave the nest, confident that it was in the right hands with the National Gallery of Art.
"Dog/Decoy", Joan Jonas
“Dog/Decoy”, Joan Jonas
Untitled, Stephen Antonakos
Untitled, Stephen Antonakos
If you haven’t had a chance to see the documenatary Herb and Dorothy I strongly encourage you to spend the time with one of the most delightful and profoundly inspiring couples I’ve ever seen.  For more info on the  Vogel 50 x 50 Collection, and to find the institution in your state that has been chosen to participate in this initiative please click on the link.

http://vogel5050.org/#

One response to “The Herb and Dorothy Vogel 50 x 50 Collection at MOCA”

  1. […] The story of Herb and Dorothy Vogel, a postal worker and librarian who amassed a world class collection of contemporary art, captivated both the art world and art outsiders alike.  ”Herb and Dorothy” was not just a story of an unlikely pair who paved their own way in an insular art world but it was also a testament to how art connects people emotionally and viscerally.  The Vogel’s collection of 5,000 works were donated to the National Gallery of Art in 1992.  The National Gallery, unable to showcase the collection in its entirety, was challenged to properly pay homage to the collection while recognizing the enormity of the Vogels gift.  The NGA and the Vogels devised a plan to broaden the audience, and the sequel to Herb and Dorothy trails the collectors following their decision to gift 50 works to 50 states. […]

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