Category: Los Angeles
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Artist a Day: Karen Collins
It’s February 1, and I’m back at it again! Last year I continued to pivot away from the blog to pursue more freelance/paid work, which meant that my Artist a Day and Culture Shock Art posts had to rest on the back burner for a bit. Oh, and I also relocated to Raleigh, North Carolina…
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A Case for Black Art History Month in Los Angeles
We tend to define key visual art moments through seminal shows that seek to define, map, and place an artist’s work in a historical context. In Los Angeles, many of these moments revolve around large-scale exhibitions like the Hammer’s Made in L.A. biennial or the Getty’s Pacific Standard Time. When they are executed well, these…
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Artist a Day: Evangeline J Montgomery
In 2017 I dedicated a series of Artist a Day posts to Ruth Waddy, whose influence guided and amplified the careers of Los Angeles artists in the Black Arts Movement of the 1960s and 1970s. Her impact and legacy in documenting Black art is immeasurable and “as a champion for African-American artists, Waddy’s advocacy created a powerful…
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Artist a Day: Fred Eversley
“The genesis of energy is central to the mystery of our existence as animate beings in an inanimate universe.” Fred Eversley Fred Eversley was an electronic engineer who turned curiosity and experimentation into sculptures that capture his fascination with light and energy. His work beautifully merges art and science in a practice that’s defined by…
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Artist a Day: Karon Davis
As a spectacle, Frieze didn’t disappoint. Fair organizers commissioned 12 artists to create site specific work on Paramount Studio’s New York backlot in a collaborative undertaking called Frieze Projects. The backlot was definitely the show stopper, and my favorite installation came from Karon Davis who transformed a building facade into a Junior High School in…
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Artist a Day: Frieze Edition
Art fairs are like glorified prom nights for collectors and as such, galleries are the poor chauffeurs, dress makers, and florists that have to cater to whims of giddy, hopeful, attendees– Frieze L.A. was no exception. For those of us who are outside both the blue chip collector class and the P&L engines that drive…
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Unsynthesized Intuitions: Confronting Discomfort with Adrian Piper
As I left Adrian Piper’s “Concepts and Intuitions” at the Hammer museum, I noticed a series of wooden structures resembling voting booths positioned outside of the exhibit’s entrance. I walked into one of the private booths steadying myself as I prepared to write in the binder that was resting on a shelf in front of…
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Karon Davis Explores the Spirit of Home and What it Means When We Must Leave it Behind: Muddy Water at Wilding Cran
Two separate migration patterns brought Americans from the south and mid-west to California in the early 1900s: The Great Migration and the Dust Bowl. One group fled persecution under racist Jim Crow laws, while the other fled droughts exacerbated by over farming. The economic and social impacts of these migrations not only shaped the state…
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“Project Blue Boy” Gives Visitors a Glimpse Into an Historic Restoration
The Huntington Library acquired The Blue Boy by Thomas Gainsborough in 1921, and it has graced the walls of the Library as one of it’s crown jewels ever since. The piece has never been loaned or taken out of view for an extended period of time, and the only exception was made in 2017 when…
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Decoding Sunshine-Glenn Ligon at the Broad
Glenn Ligon baffles me—the more I look at his work, the less I understand, and because it’s so layered, I learn something new with every attempt I make to decode a piece. It’s a challenge I gladly accept. In the Broad’s latest group show called “A Journey That Wasn’t” Ligon explores the fluidity of time, race,…
Colony Little, Culture Shock Art 