Art + Practice’s latest show, Collective Constellation: Selections from the Eileen Harris Norton Collection is an exhibition that I always needed to see, I just didn’t realize why until now. Over the last several years, I’ve committed the month February to posting Artist a Day profiles where Black artists are highlighted and celebrated. In 2017 … Continue reading A Collective Constellation at Art + Practice
During Frieze week there were two booths that I regret not seeing in person. Alison Saar’s booth hosted by L.A. Louver was one of them. Her solo presentation, Chaos in the Kitchen featured a series of sculptures and prints by the artist that pay homage to the sanctity of the kitchen as a place of … Continue reading Artist a Day: Alison Saar
We tend to define key visual art moments through seminal shows that seek to define, map, and place an artist’s work in a historical context. In Los Angeles, many of these moments revolve around large-scale exhibitions like the Hammer’s Made in L.A. biennial or the Getty’s Pacific Standard Time. When they are executed well, these … Continue reading A Case for Black Art History Month in Los Angeles
Glenn Ligon baffles me—the more I look at his work, the less I understand, and because it’s so layered, I learn something new with every attempt I make to decode a piece. It’s a challenge I gladly accept. In the Broad’s latest group show called “A Journey That Wasn’t” Ligon explores the fluidity of time, race, … Continue reading Decoding Sunshine-Glenn Ligon at the Broad
It happened without fail on the first day of school, always with such a predictable regularity that it became comical. In the first few minutes of a new class, a teacher would fastidiously take roll call, easily cruising through all the last names until they got to the “Ls”. That’s when the knot in my … Continue reading What’s in a Name? Reflections from the Looking Glass
In 2009 MOCA had miraculously survived a financial crisis that left them vulnerable to bankruptcy and acquisition. After receiving an infusion of capital that required them to tighten their belts, the museum was anxious to move forward when they announced their new attitude under the guise of a turnaround campaign called “MOCA New”. When that … Continue reading Same Ol’ MOCA
From the L.A. Times: “Njideka is an artist who has the capacity to really bring together worlds that may not stand in unison. Which is to say the continental African experience and that of black folks living in diaspora,” says Jamillah James, curator at the Institute of Contemporary Art, Los Angeles. In 2015, when James … Continue reading Artist a Day: Njideka Akunyili Crosby
In 2008, artist Kerry James Marshall was the subject of an oral history interview with the Smithsonian Institute where he recalled his childhood memory of the Watts riots of 1965. He remembered hearing sirens and seeing smoke, miles away coming from where he used to live in Nickerson Gardens. Over the course of the afternoon … Continue reading Kerry James Marshall’s Mastry Examines the Power of the Image
Wall color plays a specific role in Betye Saar’s latest exhibit at the Craft and Folk Museum in Los Angeles. The second floor gallery is painted in a soft shade of stone blue and in the world of laundry products, blue is a color reflector that makes whites appear whiter. The color has been a … Continue reading Extreme Times Call for Extreme Heroines: Betye Saar at the Craft & Folk Art Museum
“We have to confront ourselves. Do we like what we see in the mirror? And, according to our light, according to our understanding, according to our courage, we will have to say yea or nay – and rise!” ~Dr. Maya Angelou We are arguably our most vulnerable when we are alone with a mirror. It’s … Continue reading Holding a Mirror to Ourselves: Genevieve Gaignard in The Powder Room
Culture Shock Art 