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Family Ties: Fashion and Art Collide in the Work of Jack and Bill Whitten
I recently wrote a story about the work and writings of the late artist Jack Whitten for artnet, and in his book called “Notes From the Woodshed”, he shares an interesting recount of a fabric shopping experience with his brother Bill that had a profound impact on the artist. Jack Whitten dedicated one of his…
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Decoding Sunshine-Glenn Ligon at the Broad
Glenn Ligon baffles me—the more I look at his work, the less I understand, and because it’s so layered, I learn something new with every attempt I make to decode a piece. It’s a challenge I gladly accept. In the Broad’s latest group show called “A Journey That Wasn’t” Ligon explores the fluidity of time, race,…
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Anonymous Was a Woman
During the last two months, I’ve been batting around the idea of starting a newsletter to share articles, exhibition announcements, some of my recent publications, etc. , but before I think too deeply about actually doing it, invariably another news crisis, deadline or other distraction ultimately shift my focus elsewhere. This week, two stories captured…
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Juneteenth: A Syllabus
On Juneteenth, I decided to take some time to reflect on why this day has not always been a celebratory one for me. I’ve always associated Juneteenth with picnics, barbecues, and family reunions, but I didn’t grow up learning, understanding or appreciating what Juneteenth is, and I know I’m not alone in this. I had…
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What’s in a Name? Reflections from the Looking Glass
It happened without fail on the first day of school, always with such a predictable regularity that it became comical. In the first few minutes of a new class, a teacher would fastidiously take roll call, easily cruising through all the last names until they got to the “Ls”. That’s when the knot in my…
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Street Art In Shoreditch
Perched high on top of a street sign in the middle of a sidewalk near Shoreditch, a small bronze angel peers over the bustling street below. Its outstretched wings point to two very different sections of this East End borough: on one side of Sclater street, old 2-story, arched masonry buildings are adorned with tags…
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There ARE Black People in the Future
In a gentrifying neighborhood in Pittsburgh, a gridded black billboard with white lettering sits on top of a two-story building. The unassuming signage resembles a large scale version of those vintage letterboards that you may find in front of a school, church or coffee house. The Last Billboard is a public art project that…
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Same Ol’ MOCA
In 2009 MOCA had miraculously survived a financial crisis that left them vulnerable to bankruptcy and acquisition. After receiving an infusion of capital that required them to tighten their belts, the museum was anxious to move forward when they announced their new attitude under the guise of a turnaround campaign called “MOCA New”. When that…
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Artist a Day: Mark Bradford
Jack Whitten, Mark Bradford’s friend, and artistic inspiration loved jazz. When reflecting on his evolving improvisational process with paint, Whitten once commented to the Walker that “The person who got me trapped in all of this was John Coltrane.” Some of Whitten’s favorite albums included Miles Davis’ Kind of Blue and John Coltrane’s Blue Train,…
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Artist a Day: Lorna Simpson
Lorna Simpson’s work body of multi-media work is so diverse it’s too hard to single out just one work for discussion, but I’m picking a piece she created in 2016 that I recently saw at the Tate Modern. Then and Now is an appropriated photo from the Detroit riots of 1967—a screen-printed tableau that’s split…
Colony Little, Culture Shock Art 