Category: Contemporary Art
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Artist a Day Challenge (24): Mark Bradford’s Homage to the Roxy
I have this mythologized view of New York that I have created entirely from the city’s nightclub scene between 1973 and 1987. The Loft, the Gallery, the Paradise Garage and the Roxy sit at the center of this utopia, with the music in these venues acting as the heartbeat of the city. Notice I didn’t mention Studio 54, because in my…
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Artist a Day Challenge (20): Dr. Lowery Stokes Sims
1999 was steeped in Y2K mania. Prince’s 1999 and R.E.M.’s “It’s the End of the World” made notable musical comebacks and served as the soundtrack for our collective psyche dealing with the pending certainty that the world was hurtling toward a computer programmed apocalypse. The turn of the century came and went without much as much of a blip but that didn’t…
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Artist a Day Challenge (11): Roy DeCarava
Photography has always been used as a powerful tool for social change. From Frederick Douglass’ early adoption of photography a medium for countering negative images, to Sojourner Truth’s use of Cartes de Visites, W.E.B DuBois’ curated images at the Paris Exhibition of 1900, to James Van Der Zee’s documenting of the black middle class during the Harlem…
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Artist a Day Challenge (9): Theaster Gates at Regen Projects
Theaster Gates puts viewers to work when they experience his art, and this is precisely what drew me to a particular group of paintings at his current show Regen Projects in L.A. The exhibition titled But to Be a Poor Race is an homage to W.E.B. Du Bois’ 1903 book, The Souls of Black Folk, the seminal series of essays…
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Artist a Day Challenge 2017
Back again! Today marks the 3rd edition of my Artist a Day challenge! During Black History Month I share daily posts featuring African-American artists and artists of African descent throughout the diaspora. In 2017 I will focus on artists who have committed to promoting and amplifying the artistic voices of others. They may be mentors, organizers, writers, scholars, curators,…
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Artist a Day Challenge (1): Ruth Waddy
In the fall of 1962 a group of black artists gathered in the back of Safety Savings and Loan’s community room. Brought together by a 53-year-old woman with no formal knowledge of art and limited resources, Ruth Waddy’s pitch to the group was a simple one: Her goal was to create a juried art show at a…
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The Price of Passage: Betye Saar at Roberts & Tilton
The human brain works as a binary computer and can only analyze the exact information-based zeros and ones (or black and white). Our heart is more like a chemical computer that uses fuzzy logic to analyze information that can’t be easily defined in zeros and ones. ~Naveen Jain One world deals in absolutes: “Black vs White”…
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Artist-Run Super PAC Challenges Power Politics
For Freedoms, the first artist-run Super PAC, was created earlier this year to offer an alternative perspective on concepts of power, voice and agency. By offering a platform for artists and scholars to explore the polemics of power, For Freedoms fuses art and activism through Town Halls, exhibitions and co-sponsored events with museums and local non-profit organizations. The…
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“And Now, the Rest of the Story”: Simone Leigh at the Hammer Museum
Last week my latest review of Simone Leigh’s exhibit was featured on Arts.Black.com. The piece takes a close look at two of the strong influences found in Leigh’s work, the Herero and the Cupboard. While reading though sources for this piece I came across the fascinating, tragic history of the Herero. This gave me a much…
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Do I Look Like a Lady? Mickalene Thomas at MOCA
“We wear the mask that grins and lies, It hides our cheeks and shades our eyes, This debt we pay to human guile; With torn and bleeding hearts we smile…” ~Paul Lawrence Dunbar There’s something strangely familiar inside the dimly lit living room installation of Mickalene Thomas’s latest exhibition, “Do I Look Like a Lady?”…
Colony Little, Culture Shock Art 