Category: Art/Culture
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Artist a Day Challenge (20): Dr. Lowery Stokes Sims
1999 was steeped in Y2K mania. Prince’s 1999 and R.E.M.’s “It’s the End of the World” made notable musical comebacks and served as the soundtrack for our collective psyche dealing with the pending certainty that the world was hurtling toward a computer programmed apocalypse. The turn of the century came and went without much as much of a blip but that didn’t…
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Artist a Day Challenge (17): Mindfulness and Modernism with Jennie C. Jones
Many years ago I took up the practice of Yoga during three important periods of my life. When I first moved away from home for college, when I moved to Los Angeles 2001 and when I moved out of west L.A. in 2006. The benefits of yoga and meditation were important keys to me adjusting…
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Artist a Day Challenge (12): DeCarava and Jazz
“In between that one-fifteenth of a second there is a thickness.” Roy DeCarava Roy DeCarava’s photos of jazz musicians are some of my favorites in his body of work. Photographers who are also musicians in their own right, capture what the rest of us don’t see in the moment. “Jazz I think approaches the visual experience…
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Artist a Day Challenge (10): W.E.B Du Bois, Writer, Scholar, Artist?
“It’s a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eye of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity.” W.E.B. Du Bois, The Souls of Black Folk In yesterday’s post we placed a spotlight on Theaster Gates…
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Artist a Day Challenge (9): Theaster Gates at Regen Projects
Theaster Gates puts viewers to work when they experience his art, and this is precisely what drew me to a particular group of paintings at his current show Regen Projects in L.A. The exhibition titled But to Be a Poor Race is an homage to W.E.B. Du Bois’ 1903 book, The Souls of Black Folk, the seminal series of essays…
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Artist a Day Challenge (6): The Disrupters
Change is not always an organic process, sometimes it needs a little nudge. When it came to diverse cultural representation within Los Angeles museums in the 1960s, LACMA in particular needed a few nudges… and a good push toward progress. One late December evening on Wilshire Boulevard in 1968, a curious crowd formed around the Ahmanson’ building…
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Artist a Day Challenge (5) Beulah Ecton Woodard
In Los Angeles in the 1960’s many black artists including Charles White, Ruth Waddy and Samella Lewis fought for representation in local museums including LACMA. Little did I know that at least one artist had been given a solo show there decades prior. Beulah Ecton Woodard was an artist/sculptor born in Ohio in 1895 who grew up in Los Angeles.…
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Artist a Day Challenge (2) Samella Lewis
In 1920’s New Orleans a young Samella Lewis first picked up a paint brush and through it she found her voice in an environment that didn’t encourage speaking one’s mind. “It might get me in trouble”, Lewis explains in a 2006 interview, “and so I had to find a way to express my feelings.” What originally began as a private expression, Samella…
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Artist a Day Challenge (1): Ruth Waddy
In the fall of 1962 a group of black artists gathered in the back of Safety Savings and Loan’s community room. Brought together by a 53-year-old woman with no formal knowledge of art and limited resources, Ruth Waddy’s pitch to the group was a simple one: Her goal was to create a juried art show at a…
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The Price of Passage: Betye Saar at Roberts & Tilton
The human brain works as a binary computer and can only analyze the exact information-based zeros and ones (or black and white). Our heart is more like a chemical computer that uses fuzzy logic to analyze information that can’t be easily defined in zeros and ones. ~Naveen Jain One world deals in absolutes: “Black vs White”…
Colony Little, Culture Shock Art 