Category: sculpture
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New Definitions (and Questions) of Power Emerge in a Show Featuring Black Women Artists
For 3 years I have dedicated the month of February to daily posts that celebrate black artists. It was a personal writing challenge as much as it was an artistic one because I wanted to expand my knowledge of black contemporary artists that were underrepresented in traditional arts publications. The artists I featured have greatly influenced the work that…
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Talking Heads: Jimmie Durham & Wangechi Mutu
I recently encountered two similar works of art, one in L.A. and the other online: the first is by an artist with a 40+ year career who has self selected out of the U.S. art scene for over 2 decades and the second is from a Kenyan born artist with a Brooklyn based practice…
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Artist a Day Challenge, 2017 Finale (28): Augusta Savage
As we close out Black History Month and usher in Women’s History Month, today’s post on Augusta Savage made sense for a number of reasons — the most important being that today is the artist’s birthday. Born on a leap year 125 years ago, Augusta Savage’s life story still resonates and her career exemplifies an unyielding determination to her art and a strong dedication to her…
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Artist of the Day Challenge (25):Kevin Beasley
I’m currently writing a separate piece on Kevin Beasley’s current installation at the Hammer Museum, but I thought I would highlight him in my artist a day challenge as well. Artists that incorporate sound into their work interest me these days because they activate their environments in an entirely new way. Some of Beasley’s ghost like…
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Artist a Day Challenge (5) Beulah Ecton Woodard
In Los Angeles in the 1960’s many black artists including Charles White, Ruth Waddy and Samella Lewis fought for representation in local museums including LACMA. Little did I know that at least one artist had been given a solo show there decades prior. Beulah Ecton Woodard was an artist/sculptor born in Ohio in 1895 who grew up in Los Angeles.…
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The Price of Passage: Betye Saar at Roberts & Tilton
The human brain works as a binary computer and can only analyze the exact information-based zeros and ones (or black and white). Our heart is more like a chemical computer that uses fuzzy logic to analyze information that can’t be easily defined in zeros and ones. ~Naveen Jain One world deals in absolutes: “Black vs White”…
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“And Now, the Rest of the Story”: Simone Leigh at the Hammer Museum
Last week my latest review of Simone Leigh’s exhibit was featured on Arts.Black.com. The piece takes a close look at two of the strong influences found in Leigh’s work, the Herero and the Cupboard. While reading though sources for this piece I came across the fascinating, tragic history of the Herero. This gave me a much…
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Time Travel with La Négresse
It is no coincidence that I experienced “La Négresse” by Jean Baptiste Carpeaux while at the Berkeley Art Museum last week. At the time I was reading “Kindred” by Octavia Butler, a pseudo science fiction novel (for lack of a better genre) set simultaneously in slavery and 1976. In the book a woman is transported…
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SF MOMA in 3: Part 2
Now that we got the essentials out of the way in yesterday’s post, it’s time to see some art! As I previously warned, I don’t suggest you try to see everything in 1 day. There are 7 floors of art, so I suggest that you pick 3 and spend some quality time with the collections.…
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Unmentionables: Zoë Buckman at Papillion
Peering through a gallery window at lingerie hanging from the ceiling made me feel like a voyeur. Catching a glimpse of Papillion while closed was probably the best way to experience their latest exhibit by Zoë Buckman called Every Curve. In this body of work the artist explores the polarities between feminism and hip hop and the cultural dynamics of both existing within…
Colony Little, Culture Shock Art 